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Movie Reviews: Stuck, You Don't Mess with the Zohan
This is an archived article that was published on sltrib.com in 2008, and information in the article may be outdated. It is provided only for personal research purposes and may not be reprinted.

You Don't Mess with the Zohan

Info: Opens today in theaters everywhere; rated PG-13 for crude and sexual content throughout, language and nudity; 113 minutes.

As premises for Adam Sandler movies go, this one has the advantage of being offbeat: A super-heroic Israeli commando gives up battling terrorists so he can pursue his dream of being a New York hairdresser. But any hope for cleverness is out the window after that, as Sandler smugly disco-dances from scene to scene, pronouncing every "h" as if he's producing phlegm, and referencing Zohan's enormous codpiece and sexual prowess with senior citizens. (Anyone ready for a Lainie Kazan nude scene? Anyone?) The script - written by Sandler, Robert Smigel (a k a Triumph, the Insult Comic Dog) and Judd Apatow - has a couple of actually funny gags, but hack director Dennis Dugan ("I Now Pronounce You Chuck & Larry") messes up the delivery in service to Sandler's titanic ego. When Sandler's Zohan goes from fighting his archnemesis (played by John Turturro) to resolving the Israeli-Palestinian conflict on the streets of New York City, the only response is to throw up your hands and shout, "Oy vey!"

Stuck

Info: Opens today at the Broadway Centre Cinemas; rated R for strong violence, disturbing content, sexuality/nudity, language and drug use; 95 minutes.

Director Stuart Gordon, best known for well-turned horror schlock such as "Re-Animator," employs the "Law & Order" tactic - ripping from the headlines but making up everything else - to stunning effect with this drama. Brandi (Mena Suvari) is a nurse's assistant in a convalescence center who, after a night of booze and Ecstasy, hits a homeless man, Thomas (Stephen Rea), and leaves him stuck in her windshield bleeding in her garage. Gordon and screenwriter John Strysik mine dark humor from Brandi's whining self-absorption ("Why are you doing this to me?" she yells at Thomas), as well as a pointed lesson in caring for your fellow man. Meanwhile, Rea and Suvari demonstrate that B-movie exploitation can be elevated by A-level acting.

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