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(Francisco Kjolseth | The Salt Lake Tribune) Paul McCartney performs at EnergySolutions Arena in Salt Lake City on Thursday, Aug. 7, 2014.
Paul McCartney throws a party at Utah’s ESA
Review » The venerable pop icon demonstrates he’s still got the skills to carry an audience.
First Published Aug 07 2014 09:12 pm • Last Updated Aug 30 2014 10:22 pm

Paul McCartney can play the bass, electric guitar, acoustic guitar, piano and even the ukulele.

However, as he demonstrated in a nearly sold-out EnergySolutions Arena on Thursday night, the instrument Sir Paul plays most expertly and impressively is the audience.

At a glance

McCartney’s set list

Here is the complete set list from Paul McCartney’s “Out There” tour concerton Thursday at EnergySolutions Arena in Salt Lake City:

“Eight Days a Week”

“Save Us”

“All My Loving”

“Listen to What the Man Said”

“Let Me Roll It” / “Foxy Lady”

“Paperback Writer”

“My Valentine”

“Nineteen Hundred and Eighty-Five”

“The Long and Winding Road”

“Maybe I’m Amazed”

“I’ve Just Seen a Face”

“We Can Work It Out”

“Another Day”

“And I Love Her”

“Blackbird”

“Here Today”

“New”

“Queenie Eye”

“Lady Madonna”

“All Together Now”

“Lovely Rita”

“Everybody Out There”

“Eleanor Rigby”

“Being for the Benefit of Mr. Kite!”

“Something”

“Ob-La-Di, Ob-La-Da”

“Band on the Run”

“Back in the USSR”

“Let It Be”

“Live and Let Die”

“Hey Jude”

Encore

“Day Tripper”

“Hi, Hi, Hi”

“Get Back”

Second encore

“Yesterday”

“Helter Skelter”

“Golden Slumbers” / “Carry That Weight” / “The End” (medley)

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McCartney could make the audience cheer, dance, jump in surprise, laugh, occasionally cry and frequently sing. Mostly, he made them have fun.

"Hey, Salt Lake City!" McCartney said the first time he spoke to the audience. "I have a feeling we’re going to have a bit of a party here tonight."

The Salt Lake City stop on his "Out There" tour spanned McCartney’s 50-year-plus songwriting and performance repertoire — as a Beatle, as a member of Wings and as a solo artist supporting his most recent album, "New" — and an astonishing range of musical styles, from gentle ballads to hard rock.

McCartney, 72, and his four-man backing band opened with two bouncy songs that span his professional life: The Beatles classic "Eight Days a Week" and the song "Save Us" (off of "New").

The whole show, 37 songs over nearly three hours, went on like that, with McCartney jumping decades of his songbook with a youthful energy that belied his years.

McCartney also shifted moods rapidly and smoothly. A rocking "Back in the USSR" was followed by the soaring grace of "Let It Be," and then with the propulsive force of the James Bond theme "Live and Let Die" — which was accompanied by a fiery pyrotechnic show that blew the audience away.

The stage was backed by a massive video wall that displayed colorful animation, archival photos, and even a film of actors Natalie Portman and Johnny Depp speaking in sign language (for "My Valentine," a song McCartney wrote for his wife, Nancy Shevell).

The show was populated by ghosts. Early on, McCartney ended a Wings song, "Let Me Roll It," with some licks of Jimi Hendrix’s "Foxy Lady" — which prompted a story about how The Beatles met the guitarist, and how Hendrix performed covers from "Sgt. Pepper’s Lonely Hearts Club Band" only two days after the album came out.


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Two of the concert’s most touching moments involved tributes to his late Beatles bandmates: "Here Today," his 1982 song written to John Lennon as "a conversation we never got to have"; and playing ukulele to begin a cover of George Harrison’s song "Something." Also moving was the performance of "Maybe I’m Amazed," which was written by McCartney for his first wife, Linda, who died in 1998.

The main set ended with "Hey Jude," in which McCartney orchestrated a joyous audience sing-along to the classic "na na na" extended chorus. It was the second "official" sing-along of the night, the first being "Ob-La-Di, Ob-La-Da," though many audience members couldn’t help themselves from joining in to their favorites.

McCartney powered through two encores that had the audience screaming and on their feet. The capper in the second encore was a plaintive reading of "Yesterday," followed by a thrashing version of "Helter Skelter," and concluding with The Beatles’ final medley of "Golden Slumbers," "Carry That Weight" and (appropriately) "The End." Only then did McCartney finally let his audience go, spent but exhilarated, as he promised, "We’ll see you next time."

spmeans@sltrib.com

Twitter: @moviecricket



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