Also a touchstone for Imax, "The Winter Soldier" received $9.6 million of its U.S. haul on 346 screens showing the film in the enhanced resolution format. Internationally, it showed on 278 Imax screens, bringing in $6.5 million, $4 million of which was delivered from China.
"Captain America: The First Avenger," which had a budget of around $140 million, debuted in July 2011 with $65 million. Overall, it earned $371 million worldwide.
Why the shift to an April release rather than remaining a summer launch?
"We looked at the possibility of creating separation from the other summer tentpoles," said Dave Hollis, head of worldwide theatrical distribution for Disney. "There was an opportunity. We have the second Marvel film coming at the end of the summer in 'Guardians of the Galaxy.' We wanted to start and end the summer and take advantage of this holiday. In the next month or so we'll have the benefit of spring break."
"The Avengers effect," as Hollis calls it, set the stage for the continuation of Marvel's massive box office presence, which includes the "Iron Man" and "Thor" franchises. With the release of the films' sequels, both have seen earning jumps of over 35 percent.
"There are very few movie brands that are this consistent," Paul Dergarabedian, senior media analyst for box-office tracker Rentrak, said of the Disney-Marvel team. "For 'The Winter Soldier' to push on $100 million in April shows that you can release a big movie any time of the year. Every studio is going to be looking at this date to plant their flag in the future."
Meanwhile, Paramount's biblical saga "Noah," starring Russell Crowe, Jennifer Connelly and Emma Watson, took a drastic dip in its second weekend, earning $17 million after debuting with $44 million. Still, it sailed into second place, crossing the $70 million mark domestically, while pushing Lionsgate's young adult science-fiction thriller "Divergent," led by Shailene Woodley, to third with $13 million in its third week. Its stateside total is now $114 million.
Freestyle Releasing's surprise hit "God's Not Dead" took the No. 4 slot with $7.7 million in its third weekend.
Despite the decrease in the "Noah" box office performance, the outcome of film's debut, its overall haul, and the success of both "Son of God" and "God's Not Dead" bodes well for other biblical-themed films coming this year, including "Heaven is for Real," starring Greg Kinnear and "Exodus: Gods and Kings," starring Christian Bale.
Coming in at No. 5, Wes Anderson's "The Grand Budapest Hotel" collected $6.3 million, bringing its domestic total to $33 million. Fox Searchlight expanded its stylish comedy to 1,263 locations, and the studio plans to add even more in the coming weeks. This is Anderson's second widest expansion following 2009's "Fantastic Mr. Fox."
"As this movie is expanding it is just building an audience," Dergarabedian said. A total of "$33 million compared to something like 'Captain America' doesn't sound like a lot, but it's a huge number for a film like 'Grand Budapest' that is so indie-minded and original."
The weekend's other releases included Codeblack Films' "Frankie and Alice," starring Halle Berry as a dancer with multiple personality disorder. Playing in 171 locations, it earned $350,000.
And Fox Searchlight's dark comedy "Dom Hemingway," starring Jude Law and "Game of Thrones" star Emilia Clarke, had a domestic gross of $32,000 after showing in only four theaters in New York and Los Angeles. Next week the film will expand to nearly 40 locations.
Disney's "Muppets Most Wanted," which landed at No. 6 with $6.3 million in its third weekend, and Fox's "Mr. Peabody and Sherman," coming in at No. 7 with $5.3 million in its fifth weekend, were the top kiddie films. But Fox's animated "Rio 2" stands to knock them down a few notches when it opens in the U.S. next weekend.