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Review: Barlow Bradford’s Utah Chamber Artists deliver a powerful Brahms Requiem
Review » Utah Chamber Artists perform with passion and polish.
First Published Feb 24 2014 10:15 pm • Last Updated Feb 24 2014 10:15 pm

Great musical minds apparently think alike, because three of Utah’s leading choral organizations are presenting the Brahms German Requiem in coming weeks.

The first Requiem out of the gate, performed by Utah Chamber Artists on Monday, set a high standard for those that will follow.

At a glance

Utah Chamber Artists

A performance of Brahms’ “Ein Deutsches Requiem (A German Requiem).”

With » Conductor Barlow Bradford, soprano Celena Shafer, baritone Michael Chipman and the University of Utah Chamber Choir. Sung in German.

When » Monday, Feb. 24.

Where » Libby Gardner Concert Hall, Salt Lake City.

More Brahms

There will be two more performances of the Brahms German Requiem in Utah next month.

American Festival Chorus » Craig Jessop conducts; soloists are Cindy Dewey and Steve Meredith. In German. March 28, Ellen Eccles Theatre, Logan; www.americanfestivalchorus.org

Salt Lake Choral Artists » Brady Allred conducts; soloists are Carol Ann Allred and Tyler Oliphant. In English. March 29, 7:30 p.m., Libby Gardner Concert Hall, Salt Lake City; www.saltlakechoralartists.org

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Barlow Bradford’s Salt Lake City-based choir, augmented by singers from Bradford’s University of Utah Chamber Singers and joined by an orchestra made up largely of Utah Symphony players, gave a polished, impassioned performance of this great work.

Brahms’ Requiem isn’t one of those fire-and-brimstone requiems, like Verdi’s or Berlioz’s, but there are moments that inspire awe. Bradford built mighty crescendos in the second movement, which reflects on the fragility of mortal existence, and the sixth, in which the triumphant chorus proclaims that "death is swallowed up in victory."

The chorus sang with clear, forceful intonation and impressive energy. By contrast, the work’s opening and closing movements, which promise comfort to the living and eternal rest for the dead, were delivered with serene expression.

Throughout the evening, the conductor achieved a lovely balance between the chorus and orchestra.

Baritone Michael Chipman brought gravity to his solos, while soprano Celena Shafer sang with her usual radiance. Both soloists communicated the German text with sensitivity.




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