Movie review: A fallen hero speaks in 'Armstrong Lie'

Published December 6, 2013 1:28 pm
Review • A look at the cyclist's cheating and intimidation.
This is an archived article that was published on sltrib.com in 2013, and information in the article may be outdated. It is provided only for personal research purposes and may not be reprinted.

The fascinating and perplexing documentary "The Armstrong Lie" was not the documentary that filmmaker Alex Gibney intended to make, but it is the story he needed to tell.

Gibney had started out making a documentary about cyclist Lance Armstrong's 2009 comeback attempt, his drive to return to cycling and win an eighth Tour de France title — and put to rest a career's worth of rumors and accusations that he cheated through doping and blood transfusions.

Those accusations only got louder on the 2009 comeback ride, leading to a federal investigation, a lifetime ban from sport and the stripping of Armstrong's seven Tour de France titles. Then, this January, Armstrong sat down for an interview with Oprah Winfrey, to whom he confessed that he had been doping when he won those seven titles.

Gibney — who had shelved his film, then titled "The Road Back," during all this — was there for the Oprah interview and told Armstrong that the cyclist owed him one more interview. Armstrong gave Gibney that interview, which forms much of the backbone of this reconstituted documentary.

First, Gibney lays out the facts, chronicling Armstrong's rise in the cycling world along with his amazing backstory: A cancer survivor, he willed himself not only back to health but to the pinnacle of his sport. Gibney also chronicles how Armstrong built himself into a brand as a corporate pitchman and as spokesman for his cancer-survivor charity, the LiveStrong Foundation — the group advertised by those once-ubiquitous yellow bracelets.

There were doubters and skeptics all along the way, but Armstrong managed them. Those he couldn't shout down he humiliated, and several cyclists who were once Armstrong's teammates tell Gibney about being blackballed by other cycling teams.

Gibney frequently compares Armstrong's statements, past and present, as the cyclist tries — even after the Oprah confession — to control the narrative. This is where he is aided by a fine ear for lying, one honed by going after financial fraud ("Enron: The Smartest Guys in the Room") or mistreatment of Afghan detainees (in his Oscar-winning "Taxi to the Dark Side") or the inner workings of WikiLeaks ("We Steal Secrets").

This time, though, there's something intriguingly personal about Gibney's line of attack. In his other films, the lying was aimed at us as a society. Here, the lie didn't just fool the world; it fooled Gibney himself, as the journalist got swept up in Armstrong's self-invented storyline.

He wanted to believe in Armstrong's comeback, his media-touted greatness, as much as anyone else — and when the lie fell apart, Gibney felt as betrayed as the rest of us. That betrayal makes "The Armstrong Lie" more than just another exposé of a fallen hero, but a thoughtful examination of why we create such heroes in the first place.


Twitter: @moviecricket

facebook.com/seanpmeans —


'The Armstrong Lie'

A look at Lance Armstrong's rise and fall also exposes the human need to create heroes.

Where • Tower Theatre.

When • Opens Friday, Dec. 6.

Rating • R for language.

Running time • 122 minutes.



Reader comments on sltrib.com are the opinions of the writer, not The Salt Lake Tribune. We will delete comments containing obscenities, personal attacks and inappropriate or offensive remarks. Flagrant or repeat violators will be banned. If you see an objectionable comment, please alert us by clicking the arrow on the upper right side of the comment and selecting "Flag comment as inappropriate". If you've recently registered with Disqus or aren't seeing your comments immediately, you may need to verify your email address. To do so, visit disqus.com/account.
See more about comments here.
comments powered by Disqus