In the play, Worm (Sky Kawai), Spider (Cameron Fleck), Ant (Joseph Paul Branca) and Fly (Emilie Starr) learn from each other, as well as from Butterfly (Micki Martinez) and their teacher, Mrs. McBee (Alicia M. Washington).
Worm feels bad about himself because he can't stand on his own two feet since he doesn't have any, unlike his friends Spider and Fly. Spider leads a Broadway-style musical dance number about legs. Spider can't wait to outgrow his skin, while Fly dreams of being a superhero and Butterfly can't wait to immigrate to Mexico. "An important part of this play is that everybody's different, and yet we've very much alike," Caywood says.
For older audiences, the show's message might be on point after this month's divisive presidential election, says Cynthia Fleming, executive artistic director.
Younger audiences might particularly enjoy the show's zippy music. "I'm satisfying my inner 'Hamilton' need because there's plenty of rapping in the show — old-school, early '80s and '90s rapping, which is fun and identifiable for the kids," Caywood says.
Many of the company's daytime shows are performed for young theatergoers who have never seen a live performance, and that's a particular charge for performers, says Washington, an actor who is also a co-founder of Ogden's Good Company Theatre.
Performing for young audiences is, well, the bee's knees, because kids' reactions are so transparent, says Washington, who is a veteran of Intermountain Healthcare's Well tour for students. Caywood says when you hear schoolkids ripping their Velcro shoe fasteners, you know you've lost their attention.
As a black actor, Washington says she's particularly interested in helping kids of all ethnicities find actors and stories to identify with. She also hopes the elementary-school matinees can help kids see a future in theater, not just as performers, but also in creating sets, lighting and costumes.
Onstage, being able to watch young faces in the audience "and to feel their energy is something that is unmatchable," she says. "There is a magic that producing theater for young audiences gives you as a performer that you seldom get elsewhere."